Then, it’s on to OpenFX and Layer Mixer and Parallel nodes. In Part 2, we’ll begin where we left off in this Insight – showing you how to rebuild the macro at the end of this Insight. Finally, we wrap with a neat little macro that begins to reveal the power of serial nodes – and how you can share data from one node to ‘inform’ another node. Then you move on to understanding the Serial Node and how it relates to the Color Page’s color grading tools. In this Insight, you start with an introductory explanation of how the Node Graph on the Color Page is designed (and how to approach building a node tree). The Foundation: Serial Nodesįirst things first. After finishing this series, you’ll be able to dig deeper into the wealth of information on this website about constructing node trees and adapting and tailoring our Insights specifically to your workflow. As part of Mixing Light’s effort to add foundational Insights to help bring along the next generation of color-lovers, this Color Page Toolkit series of Insights focuses exclusively on understanding DaVinci Resolve’s main types of nodes.
I know I’m not the only person using DaVinci Resolve who has these same questions or confusion. The Parallel Node (discussed in Part 2 of this series) really challenged my thinking – and put me on a multi-year quest of understanding/figuring out how to construct a node tree. Resolve was my first foray into a left-to-right mindset of managing the order of operations on my images. Almost all of these were layer-based interfaces. I had used After Effects for many years, plus I spent almost two decades on a variety of non-linear editing systems. When I first started color grading in Davinci Resolve, the very first hurdle I had to clear was understanding its Node Graph. Part 1: Understanding the Node Graph and Serial Nodes
Tutorials / DaVinci Resolve Essentials / Color Page Toolkit / Nodes 101 – Mastering DaVinci Resolve’s Serial Node Series
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